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What is Summer Like in Haiti? A Hot and Lively Season to Discover

Summer in Haiti, which generally runs from June to September, is a time marked by sunny days, high temperatures, and a lively atmosphere. If you’re wondering what this season is like in one of the jewels of the Caribbean, here’s what you need to know about summer in Haiti.

Haïti Beach: Top 10 Must-Visit Vacation Destinations

If you dream of heavenly beaches where white sand, turquoise waters and landscapes blend, Haïti is the ideal destination for your vacation. This jewel of the Caribbean offers a multitude of beaches that captivate with their breathtaking beauty and unique atmosphere. Discover ten must-visit beach destinations in Haïti that promise to make your vacation unforgettable.

Jean Wood Jude, known as a silent poet, releases his very first collection of Poems.

Born in Port-au-Prince on October 10, 2001, Jean Wood Jude is a young 23-year-old Haitian poet/slammer. His talent and determination in the pursuit of his poetic passion have allowed him to serve the cause of poetry and to be one of the best-known figures in the Haitian poetic world thanks to short videos broadcast on social networks. Apart from his artistic and literary activity, Jean Wood Jean is a student in social communication at the Faculty of Human Sciences (FASCH) within the State University of Haiti. Better known under the nickname Silent Poet, he has more than 200,000 followers on his social networks, and regularly publishes poems in French and Creole. The release of his collection entitled “waltz of a silent heart or Pantalèt Kè m” will only confirm the talent of this young artist.

May 18 in Haiti: Celebration of the Flag and University Day

May 18 is an emblematic date in Haiti, marked by the celebration of the Flag and University Days. This day commemorates the creation of the Haitian flag and highlights the importance of education and universities in the country. The history and meaning of this day are deeply rooted in Haitian national identity.

Beven brings Haïti among the elite of world slam

This Thursday, November 14, 2024, the young slam artist Youven Beaubrun, Beven by his stage name, qualified Haiti, for the very first time in its history, for the final of the Slam World Cup. This competition, which brings together the best slam artists on the planet, took place on African soil, more precisely in Togo. In a country held by the throat, a country that is dying from start to finish, under the dangerous feat of a certain armed part of its youth, Beven’s extraordinary performance in this competition resonates with the echo of a whole piece of the country, in the thirst for beauty. Beven is the symbol of a youth that refuses to give in to the chaos that surrounds the face of its motherland. Art, slam being his field of specialization, is used in the best possible way to make hope resonate. And to continue to believe that a country that made 1804 cannot afford the luxury of sinking so hard in the face of human history. "It is with pride that I advanced in this competition. Especially with the crisis that is going through the country at the moment. My qualification for the final is an eternal sign of hope, which confirms the fact that not everything in this country will end in death," the young slammer told us before going to compete in the final. The final took place on Saturday, November 16, 2024, where Beven had his chance to represent his wounded land well on the doorstep of a world victory, a victory that if it had taken place, would have been initialed in the name of an entire people, in the absolute race against a great chaos that dreams only of suffocating it. Although he failed to win this cup (finishing in sixth place overall), the Haitian slam champion had time to inspire an entire country during his great journey in this competition. This is only a postponement, next time victory will be achieved for sure.

Vertières: A Flame Held by the Hands of Humanity

Vertières is the place where history’s light shines brightly. The war that led to the independence of the first black republic in the world, Haiti, spanned several decades. Jean-Jacques Dessalines, who proclaimed the victory on January 1, 1804, was a man who cleverly capitalized on the honorable legacy left by Toussaint Louverture at the head of this struggle for the first liberation of a black people in the Americas. The Battle of Vertières took place in the northern outskirts of Saint-Domingue, the name of Haïti under the yoke of slavery, near the current commune of Limbé. Under a pouring rain, mixing the mud with the blood of the freedom fighters represented by Dessalines’ indigenous army, on November 18, 1803.

Haiti: A Little-Known Pillar of World Independence

Haiti, the world’s first independent black republic, played an exceptional role in the quest for independence for other nations. Although often overshadowed by other historical events, Haiti’s contribution to the liberation of other countries was significant and deserves to be highlighted. b~The Haitian Revolution~b At the turn of the 19th century, Haïti threw off the chains of slavery and achieved the impossible by freeing itself from French colonial rule. In 1804, the country proclaimed its independence, ushering in a new era for oppressed peoples around the world. b~Inspiration for Latin America~b The Haitian Revolution was a major source of inspiration for independence movements in Latin America. Iconic figures such as Simón Bolívar and Francisco de Miranda recognized the courage and determination of Haitians as a driving force for their own struggles. By materially and ideologically supporting these movements, Haïti contributed to the emergence of several independent nations in South America. b~Influence in Africa~b Beyond the Americas, Haïti also played a crucial role in the quest for independence in Africa. African leaders have left a legacy that has inspired entire generations of freedom fighters on the African continent. The idea that oppressed people could rise up against their oppressors found a powerful echo in the struggles for independence in Africa. b~Support for Liberation Movements~b Throughout its history, Haïti has provided substantial support to liberation movements around the world. Whether through troop dispatches, financial resources or active diplomacy, the country has demonstrated its solidarity with those fighting for their autonomy. Haiti’s contributions have often been discreet but crucial. Haiti, as a pioneer of independence and freedom, has left a lasting impact on the world stage. His legacy resonates across continents, reminding the world that the quest for freedom is universal. By recognizing and celebrating Haiti’s role in the independence of other nations, we not only honor its history, but we also commit to promoting a future where all people have the opportunity to shape their destiny.

False Rumor of Animal Consumption by Haitians in Ohio

Since the beginning of the week, an unfounded rumor has been circulating in the United States, particularly in the state of Ohio, accusing Haitians in the diaspora of killing and consuming pets, as well as ducks in public ponds. These allegations, widely relayed by certain public and political figures, have been formally denied by local authorities and the police in Springfield, the city where these alleged events allegedly took place. Despite these denials, the rumor continues to thrive, fueling stigmatization against Haitian migrants.

Haiti: Carnival and Rara: Crossed Perspectives on Culture and Haitian Identity

In our tradition, carnival represents an essential cultural activity. Indeed, for the holding of it this year, the State had drawn from the public treasury not only a huge sum but also a strong concentration of law enforcement to ensure the protection and security of carnival-goers in the area. metropolitan. Despite numerous criticisms and concerns expressed by certain media on the one hand, then on the other hand by the democratic opposition. While it is true that in Port au Prince these concerns had had a no less valuable consequence on the progress of this festivity. It is no less true that this was the case in other provincial towns, as proof in the southeast department the authorities did not record anything as an element of accident or incident during the progress of the carnival unlike Port au Prince. Certainly, socio/economic problems are increasingly worrying, nevertheless what makes us what we are today, a free and independent people is none other than our exceptionality. This deeply expresses our intrinsic characteristic in relation to people. In fact, historically we are a people who laugh and cry, smile and irritate, dance and hit the system, sing and fight so well that "grenadya alaso sa ki mouri zafè ya yo" is the most emblematic song of the slaves for the conquest of our freedom. We do not intend to claim that those who expressed their disagreement with the carnival are showing a historical deficit. However, we leave in the shadows a fundamental question: why is carnival taken care of by the State while the rara is like an abandoned child? The rara is not only a simple cultural tradition but, above all, it is the heritage of our valiant warriors who bravely fought the French expeditionary army, the most powerful of the time. While, this mass cultural, she is still marginalized by state authorities. It is emphasized that social cohesion is the dead point of carnival. On the other hand, this is the strong point of rara. As proof, the Thursday of the Dead in our Voudouesque tradition which represents the opening ceremony for the rara bands is the blatant testimony of this social cohesion. And, in fact, there were circles of people who took divergent directions to attend the opening ceremony of their rara bands. For this opening ceremony the atmosphere was a taste of carnival in terms of color. On the side of Croix Hilaire, for the title champion Ratyèfè full force band, the color of his club was very diverse, a long dress of apricot yellow, mauve white, then white scarf. In terms of performance, this band had completely proven its champion skills thanks to its arsenal of musicians who were not in their testing phase. To tell the truth, they performed their note with surgical precision as a doctor-surgeon in his surgical procedure. The synchronization between the musicians, the instruments and then the fans form a whole and harmonize perfectly well. This band not only has the magic of words and verbs, it seems that they also have the magic to thrill even the most reluctant fans. Moreover, his performance for this dead Thursday was a challenge for his rivals this weekend to the extent that their performances were less good. On the symbol side of light, Grap Kenèp was the wonder of the Thursday evening of the dead. His club dressed in the appropriate color for this evening, purple scarf, purple jersey, then white “kolan”. In a symbolic way, this marriage of color represents Baron in Haitian Vodou. Without a doubt, it was the most beautiful symbolic representation of the evening. In terms of performance, returning from the cemetery we felt a very strong warmth of jubilation, elation, and playfulness for a completely balanced performance. As far as Chenn Tamarin is concerned, it was already 2 a.m. when our team met him, it was a less good performance than what we were accustomed to. On the symbolic side it leaves something to be desired. His news was that he had his own media. Petit-Goave/Culture and Society