A Pre-Parade to Kick Off the Festivities
Jacmel Opens Carnival 2026 with Splendor and Creativity

The "Letter to My Favorite Author" contest is a joint initiative by CSmon Publishing, a publishing house based in Virginia, USA, and the Port-au-Prince Book Fair. The contest aims to create a platform where young literature enthusiasts can express their affection and admiration for the authors who have impacted their lives through a letter dedicated to them. This letter can be written in Haitian Creole or French by any young person aged 18 to 30 living in Haiti. The author to whom the letter is addressed can be Haitian or foreign, and even from the medieval period. The contest began on January 27, with registration closing on that date, and will continue until April 15, when the prizes will be awarded. The awards, which are 75,000 gourdes for the winner, 50,000 gourdes for the second place, and 25,000 gourdes for third place, will be presented during the event "Living in Prose and Poetry," organized annually by the Port-au-Prince Book Fair, to be held in 2025 at the French Institute in Haiti.
In an atmosphere of madness, at the Auditorium Saint Jean Marie Vianney de Galette-Chambon, where the laughs broke out, the music resounded, and the talents were dismented, started the second edition of the reading competition, around the theme "Ann Li pou n chanje peyi n ». This initiative, organized by the literary and philosophical club of Galette Chambon (CLPGACH) on Friday 06 October 2024, was marked by an overflowing passion within the public. The spectators came for several reasons: to support the applicants and live their presentations. The works, as "thus spoke of the uncle", "the vocation of the elite" of Jean Price Mars, "the ten black men" of Etzer vilary and "the courage to live in Haïti in the 21st century" of Hérold Toussaint, present innovative arguments linked to the societal context. They intertwine with folklore, Haitian culture, sociology and anthropology. These books are given to the applicants for a period of 15 days. Back, they come with their summaries and, after each presentation, in turn, reveal new perspectives on burning questions and delicate themes from works, while taking into account the concepts learned in public speaking. In this arena where the verve and the verb clash as well as logic, conviction, precision and clarity, it is a question of "saying all in a few words". The judgments are based on three criteria: the methodology concerning the substance and the form of the work; The eloquence which concerns verbal and non -verbal discourse (micro management, good pronunciation, etc.); And finally, an essential criterion: understanding. This is to assess whether the applicant has controlled the work. Questions can be asked without ignoring the context in which he lives. In addition, assistants have the opportunity to vote for the applicant who charmed them the most. This vote is precious at a higher level. Note that this vote can be made not only face -to -face but also online on our Facebook page CLPGACH. In addition, the public has always changed well through this trip to the universe of regional authors. The latter weave the frame and make vital the very repertoire of the competition vital, made up of impactful works such as "the price of irresponsibility" of Montuma Murat, "the return to citizen responsibility" written by Jean Jacquesson Thelucier and "Courage to live in Haïti in the 21st century "Professor Hérold Toussaint, to name a few. Although they died, some writers still live at the heart of our situation through their inheritance. Among them, it is necessary to quote: "the vocation of the elite" of Doctor Jean Price Mars, "the ten black men" of Etzer Villaire and "the Governor of the dew" by Jacques Roumain, as well as so many others . For this literary event to be moving and meets expectations for this second edition, many sacrifices are necessary on the part of the staff as well as the public which never leaves us alone. In this sense, we would like to thank them and call all those wishing to support this event. Indeed, if this competition is a solution found to advance together towards a common goal, its success depends on everyone’s commitment. About two years ago, the security climate in the area was not conducive to the completion of the competition. Although it is not yet ideal today, it is time to triumph over obscurantism and fight the dictatorship of ambient ignorance.
René Depestre had his very first encounter with the Haitian sun on August 29, 1926 in Jacmel, a large coastal city in the southeast of Haïti that welcomed his birth. He completed his primary studies with the Brothers of Christian Instruction in Jacmel. After his father’s death in 1936, he left his mother and brothers and sisters to live with his maternal grandmother. He completed his secondary studies at the Alexandre Pétion high school in Port-au-Prince in 1944. Today, he resides in France, his country of naturalization for several decades, and remains an immense creative, intellectual spirit and great witness to a very important era in the history of men.
Joseph-Auguste Anténor Firmin was born on October 28, 1850 in Cap-Haïtien, in a Haïti recently emancipated from the colonial yoke, he died on September 19, 1911 at the age of 60 in exile. He is undoubtedly one of the most emblematic intellectual figures of his time. His life, marked by an exceptional career in the political, literary and diplomatic fields, illustrates the genius of a Haitian intellectual whose contributions have left an indelible mark on history.
The word crisis carries an infinite number of meanings. No intention of revealing them all this afternoon. However, a few clarifications are necessary. A kid whose parents do not have enough money at Christmas to buy her a Little Black Mermaid doll has a fit and locks herself in her room without touching her meals for the day. A boy whose dog was suddenly poisoned by a neighbor in revenge or shot after contracting rabies, losing a faithful friend overnight, enters into crisis. Finally, a society in the grip of all sorts of mutations and whose leaders are weak, perhaps prolonged in a deep crisis. In the first case, the young girl sulks to attract the attention of her parents in order to feel appreciated by children her age at school or in the neighborhood. Today, thirty minutes of negotiations can be enough to find a lasting solution. In my day, a few well-aimed belt blows would have overcome this whim. But, humanity evolves, they say. In the second case, this boy can find his smile again after a few weeks. He needs a little attention and, probably, another dog. As Stendhal would say, only passion triumphs over passion. In the last case, this society led by inepts is shaken to its deep foundations. Its institutions can disintegrate one by one. The vital forces dissolve in no time. This situation creates a societal tsunami that destroys all life within this community. It is indeed a crisis. The crisis from this point of view constitutes an alarming, desperate situation in the existence of a community where nothing is going well. Chaos reigns supreme. The very essence of life disappears. The individual can take precedence over the community. Everyone tries to solve their problems without worrying about others. The closest neighbor is relegated light years away from you. How can we turn to creation? How can we continue to conceive of otherness? How can the artist absorb this great collective disarray as a source of motivation? These are the questions I must answer. An artist sees and feels what ordinary mortals cannot even imagine in a thousand-year life. He creates to denounce, when his conscience as a human being is revolted. He exalts heroes or the homeland according to his feelings. He sings the beauty of an irresistible, captivating or ugly resplendent woman. He can also use the ambient desolation to give meaning to life. Creating in literature as in the arts in general does not depend on the situation. The act of creation depends on the creator’s disposition. Events paralyze some and galvanize others. Creating is enjoyable. Everyone therefore enjoys according to their own whim. Writing opens the way to change. The writer takes a different look at the world. By embedding himself in reality, he embellishes it, makes it better or hideous depending on the message he intends to share. All things considered, with him, life is never fixed. Writing is putting the world in a jar to travel the universe. The artist broods over his work in all weathers. Oswald Durand was delighted to see Choucoune’s beautiful body from his secret observatory. Musset, on the other hand, was in pain writing his October night. As for Dany Laferrière, in exile, he described the horrors of the Duvalier dictatorship and the carefree attitude of the young girls in his neighborhood in this violent and dangerous world. Ultimately, the writer lives in a society with values that he shares or not. They condition his existence or have no hold on him. In many ways, the surrounding world serves as his laboratory. He carries out his experiments there. He casts a new, worn, disillusioned, melancholic, violent, bitter look at the world depending on his mood. Pitié is the work of an old soul crushed under the weight of an existence that tastes of absinthe. Young Mike Bernard Michel lives by expedients and lies. The hands of life fall on him with indescribable violence. Misfortune embraces him day and night. Should we give up? Musset liked to say: "Man is an apprentice, pain is his master. And no one knows himself until he has suffered." The artist must produce under all skies. Such is his vocation. Incompetents in power, legal or highway bandits, the high cost of living, unemployment, heartaches are all subjects of concern for him. If it is true that a hungry belly has no ears, the fact remains that it keeps the brain awake. What am I saying, it stimulates it to the point of creating timeless works. Mr. Pitié, you have a bright future ahead of you. Work of Jean Rony Charles, the book is available from Éditions Repérage.
Following the assault, and the hubs of the displaced on the night of July 21, 2024 in Ganthier; This Sunday, October 06, 2024, it was a gigantic crowd that swept through Saint Jean Marie Vianney, with cries, chant "Ann li pou n Chanje Gantye". They crisscrossed several corners of the establishment and danced the Jolivettes, at the height of the rooms in order to demonstrate their contents. Well planted decor, wooded walls, in the presence of many professionals and notaries; The initiative organized by the literary and philosophical club of Galette-Chambon (CLPGACH) brought together several hundred people who had come to encourage young warriors and overheated them at battle. We did not expect that in the midst of a chronic crisis, multifaceted that such a struggle would have triggered. This is the second time, reading was right in Ganthier. Thanks to the CLPGACH, the new warriors- readers won the great victory, at the right time, where the Gantiens.Ses hoped at all costs a liberation from the town.
A wounded country. Bent under the weight of a multidimensional crisis. Widespread violence. Hope slammed shut. A sacrificed generation. Children are increasingly threatened. They are increasingly confronted with all forms of vulnerability that hinder their overall development. ACTIF is launching the second edition of the "Timoun se Moun" poetry competition. A citizen initiative in which the organization uses writing as a springboard to build what life deprives Haitian children of. Pain can be turned into gold. For ACTIF (Community Action for Transformation and Formal Integration), poetry is a philosopher’s stone. Not only for this organization, but also for all those who believe that writing can help rekindle the stars. Faced with this urgent need for action, this is "an initiative to raise awareness, denounce, and affirm loud and clear that every child matters, every child deserves protection, hope, and a future," reads the competition’s descriptive document. So what do you intend to do with your human light? Through this competition, participants have the opportunity to engage in an act of resistance, like a cry of conscience to raise the voice of broken childhoods. Open from May 18 to June 18, "Timoun se Moun" is open to all Haitians living in the country and aged 18 and over. Texts must be submitted in Creole. Behind this initiative, ACTIF intends, on the one hand, to affirm our cultural and linguistic identity, and on the other, to enrich our Creole literature, promote it, and encourage creativity in our vernacular. The text must not exceed 500 words. The format chosen is PDF, Times New Roman font, size 12, and 1.5 line spacing. This competition aims to offer a touch of affection to these children who are the first victims of the country’s descent into hell. To evaluate the literary quality and essence of the submitted texts, a jury is composed of Ruthza Paul, Douglas Zamor, and Darly Renois. The former is a physician and winner of the first edition of this competition. The other two work in the fields of sociology, psychology, and literature. In addition to the "Jury Prize: 15,000 HTG + books + certificate" and "Audience Prize: 5,000 HTG + certificate + books" prizes, the best texts will be included in an anthology to be published by Éditions Répérages. It should be noted that there will be one winner for each prize. This initiative reflects ACTIF’s commitment to honoring authors who embrace the cause of underprivileged children while enriching Haiti’s literary heritage. This competition extends a helping hand to all those who believe that through poetry, one can transform one’s life into a masterpiece. At the same time, it offers the opportunity to contribute to ACTIF’s child protection program. Each participant may submit a single text. It must be sent by email to the following address: actifkonkoupwezi@gmail.com. The partial results will be published on June 30, 2025, and the final results on July 18, 2025. For more information, visit ACTIF at the following address: 18 Rue Desdunes, Imp. Thoby, Mahotière 79, Carrefour, Haiti, or contact the organization at the following number: (+509) 38 44 57 57. More than just a contest, ACTIF invites you to say No. No to forgetting. No to passivity. No to violence against children and the violation of their rights.
Jennifer EUGÈNE was born in Port-au-Prince on May 1st, 1995. She is an author and lawyer by training, and she skillfully combines her two passions: the defense of human rights and writing. From a young age, she found shelter and refuge in words, offering solace against a world that is often too chaotic and difficult. While other young people of her age shared their lives out loud, she immersed herself in her own universe, that of writing. At the age of fourteen, writing became for her more than just a hobby: it became a means of finding inner peace, overcoming struggles, and understanding herself. It was in this context that she found her true vocation.
Frankétienne is the stage name of the man who officially bore the name Jean-Pierre Basilic Dantor. He was born in the Artibonite department of Haïti on April 12, 1936. His father, who did not recognize him at birth, was, according to his own account, an American industrialist who had come to do business in Haiti, and his mother was an Artibonite farmer. This makes Frank a similar case to the great Jamaican artist Bob Marley, who had a typical story, in addition to the fact that both men made their country known abroad and left their mark on their land from within through their art. Frank died on Thursday, February 20, 2025, in Delmas, his home town for decades. He was about to celebrate his 89th birthday.
After two years of absence, Dev Expo made its big comeback in 2024, bringing a breath of enthusiasm and optimism to the Haitian tech community. This long-awaited event was officially announced on August 20, 2024 by Marc Alain Boucicault, CEO of Banj, triggering excitement in the tech community. Since the last edition, held in 2021, the following years had been marked by the cancellation of this flagship event due to the instability that reigned in the country. However, despite the many challenges still present, the organizers chose to take up the challenge of organizing this edition, demonstrating the resilience and commitment of the Haitian tech community.
At the 47th Ordinary Meeting of the CARICOM Conference of Heads of State and Government, Haïti took an important step by joining the CARICOM Reparations Commission. Dominique Dupuy, Haiti’s Minister of Foreign Affairs, announced this development following her meeting with Rector Fritz Deshommes. On the international stage, Ms. Dupuy stated: “Following my meeting with Rector Fritz Deshommes, regarding the creation of a Working Group at the UEH on Reparations and Restitutions Related to Slavery and Haitian Independence, we have brought the matter to the 47th Ordinary Meeting of the CARICOM Conference of Heads of State and Government, in which I am taking part alongside President Edgard Leblanc Fils.” This Working Group will sit as the Haitian National Committee within the CARICOM Reparations Commission. “Haïti now joins the CARICOM Reparations Commission where this Working Group will sit as the Haitian National Committee,” added Dominique Dupuy. This initiative represents a crucial step for Haiti, marking its active engagement in regional discussions on historical reparations and restitution.
Haiti, a majestic Caribbean island, seduces with its landscapes, vibrant culture, and a fascinating history of struggle for independence. In this comprehensive article, discover everything you need to know to appreciate the beauty and authenticity of Haiti: its geographical location, legendary history, rich culture, heavenly beaches, historical sites, unique cuisine, traditions and much more.
The Haïti Monde Festival is a major cultural event dedicated to promoting Haitian thought, memory, and creativity in the heart of Paris. Led for several years by Haitian intellectual Chadrac Charles and his team, it aims to be a space for expression, transmission, and reflection. In 2025, this fourth edition is organized around a theme that is more relevant than ever: “Repairing the World,” and will take place from June 25 to July 11 in the French capital. Gaël Octavia, winner of the 2025 Goncourt Prize for the short story, will be the guest of honor. Alongside her, other friends of the Haitian cause and powerful voices from the Haitian literary scene will be gathered. Among them: geographer Jean-Marie Théodat, Louis-Philippe Dalembert, Rocé, Mélissa Laveaux, Marie-Yemta Moussanang, Makenzy Orcel, Françoise Vergès, Lyonel Trouillot, Nicolas Idier, Nathania Périclès, Vladimir Delva, Sandra Dessalines, Claude Saturne, Kébert Bastien, Jude Joseph... and many others. A tribute will also be paid to Frankétienne and Anthony Phelps, two giants of Haitian literature who passed away this year.
In Cap-Haïtien, a Caribbean pearl where history meets natural beauty, the Satama Hotel stands majestically, providing an unforgettable stay experience for discerning travelers. With its ideal location less than 5 kilometers from Labadie, this jewel of four-star hospitality is a haven of peace and comfort for visitors wishing to discover the cultural and natural wealth of the region. Nestled near the magnificent Notre-Dame-de-l’Assomption Cathedral in Cap-Haïtien, the Satama Hotel offers its guests 54 elegantly appointed rooms, offering breathtaking views of the Caribbean Sea. Whether for a business or leisure stay, each room is an enclave of comfort and sophistication, equipped with a flat-screen TV with satellite channels, a private safe and smoke detectors for complete peace of mind.

First black nation to free itself from slavery and gain independence from France in 1804 and influenced other liberation movements around the world, inspiring struggles for freedom and equality.

Haïti is blessed with spectacular natural landscapes, including white sand beaches, mountains and rich biodiversity.

Haïti has a rich historical heritage, including sites like the Citadelle Laferrière and the Sans-Souci Palace, listed as UNESCO World Heritage Sites.

Haïti has a rich and diverse culture, influenced by African, European and indigenous elements. Haitian music, dance, art and cuisine are celebrated around the world.