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Haitian Cuisine - Haitian Bouillon: a convivial dish

Are you Haitian? You are not Haitian but you have met them closely or from afar? Have you ever visited Haïti or do you have Haitian friends? No doubt! You have already eaten broth! Haitian broth is an emblematic dish of Haitian cuisine. This delicious broth is often prepared with a variety of meats, such as beef, pork or chicken, and is enhanced with fresh vegetables such as carrots, potatoes and celery. This mixture creates a harmony of flavors that reflects the richness of Haitian culture. The preparation of broth (bouyon) is a true culinary art. The ingredients are carefully selected and cooked slowly to allow the flavors to fully develop. Spices, such as thyme, garlic and chili pepper, add a touch of heat and depth to the dish. Traditionally, broth (bouyon) is served with rice or plantains, making it a complete and comforting meal. Broth is not just a dish, it is also a symbol of conviviality and sharing. It is often prepared during special occasions or family gatherings, strengthening the bonds between members of the community. If you feel like preparing broth one of these days, do not hesitate to ask for the recipe in the comments.

Haiti: Flora and Fauna

Haiti, located on the western part of the Caribbean island of Hispaniola, is often associated with its rich and complex history. However, beyond its cultural and historical aspects, Haïti is home to a remarkable diversity of fauna and flora that deserves to be explored and preserved. This article highlights the ecological wealth of Haiti, emphasizing its unique flora and fauna. Fauna: Haïti is home to a variety of animal species, some of which are endemic to the island. The country’s tropical rainforests are home to a great diversity of birds. The rugged mountains provide suitable habitat for rare species. The waters surrounding Haïti are also rich in biodiversity. Colorful corals, tropical fish and sea turtles find refuge in the coral reefs along the coast. Conservation efforts are crucial to protect these fragile marine ecosystems and preserve marine life. Flora: Haiti’s landscapes are adorned with a wide variety of plants and flowers. The tropical rainforests are home to majestic trees, the Hispaniola pine and the gum tree. These forests play an essential role in climate regulation and the preservation of biodiversity. The coastal plains are dotted with palm trees, including Haiti’s iconic royal palm. Botanical gardens, such as the Jardin Botanique des Cayes, are havens of greenery where you can admire a wide variety of tropical plants, some of which are endemic to the region. Haiti, with its unique flora and fauna, is an ecological gem that deserves to be preserved for future generations. Awareness, conservation and sustainable development are key elements to ensure the survival of this natural wealth. By investing in the protection of its environment, Haïti can not only preserve its ecological heritage, but also promote sustainable tourism and strengthen the resilience of its ecosystems in the face of current global challenges.

Haïti Wonderland Named Best Creole Website Using the .ht Domain in 2025

Port-au-Prince, June 26, 2025 - During a ceremony held at the El Rancho Hotel, the Haïti Wonderland website haitiwonderland.ht was named the best Creole website using the .ht national domain for 2025. This prestigious award was presented at the national competition "Pi bon sit an kreyòl ki sèvi ak domèn .ht," organized by ISOC Haïti (Internet Society) and the Fondation Rezo pou Devlopman Dirab Ayiti (FRDDH).

Petit-Goave, Haiti: Decryption of the 3rd rara weekend!

It is more and more obvious that in Petit-Goave the media space is absorbed by the rivalry between Ratyèfè, triple champions and lambi gran lambi dlo, a former champion. The past weekend was once again irrefutable proof of the media tension over these two rival bands. With a carnival-like appearance, the fan club of the first dressed in a white shirt, short orange-yellow skirt, purple tie, black boot; the other dressed in a traditional hat, yellow jersey, red pants, red or yellow tennis shoes. This marriage of colors with the taste of carnival is the expression of cultural diversity as La Fontaine said in his book tales and short stories "diversity is my motto." This formula can adapt well to the rara. If it is true in Léogane this marriage of color has existed for ages. It is no less true that this was the case in Petit-Goave because we had to wait for the strong return of Ratyèfè in 2018 to see the rara fan clubs dress differently each new weekend. Last Saturday more than one expected a new face to face between Lambi gran dlo and Ratyèfè because the latter weighed anchor in the direction of the 2nd plain and the latter, in the direction of the city center. Less than in any other circumstance, this duel at the top was obvious. If for some comments it was a favorable opportunity for Lambi to take his revenge on his rival compared to the previous weekend because he had done the profile although he had the advantage because he was two against one. (Lambi,chenn tamarin vs Ratyèfè). This enormous advantage did not work in their favor because the hours that had passed worked against them, as proof they had gone to sleep while ratyèfè remained to play for at least 30 more rounds. Surprisingly but not surprisingly during the meeting long awaited by less than one, at the Acul not far from the Saint Jean-Baptiste church, lambi had decided not to play anymore. However, according to the customs and costumes of the rara when there are two bands, the one who stops playing first, shows weakness and surrender. Consequently, the other who is opposite out of decency and good morals has no other choice to do the same. It follows that for the umpteenth time the great power formation (lambi grand dlo) was unable to take revenge on its rival. For many cultural journalists who were present to witness this event did not have their tongue in their pocket to give their impression of Ratyèfè’s monster performance. This is the case for Brignol, a cultural commentary which wondered if Ratyèfè had the devil in his body so that the most incredulous were in their feeling of joy. On Sunday evening this monster of animation once again made its mark in the art of its know-how. This is what explains the almost unanimity among the cultural journalists of Petit-Goâve in granting first place to this band for its performance and its musical discipline. So, for this weekend according to the circle of cultural journalists of Petit-Goave and with the approval of many other cultural comments. We have the following classification: 1st Ratyèfè 2nd Grap Kenèp 3rd Orgueil de la jeunesse

CSimon Publishing: The Publishing House that Marks a New Era for Haitian Literature

Haïti is a true powerhouse in today’s literary world. For centuries, the country has been endowed with remarkable intellectual wealth that has led to exceptional achievements. Today, with more than 20 major active writers, whose works resonate far beyond Haitian borders, Haïti is one of the countries with the highest number of writers per capita. Among these writers, we can mention Edwige Danticat, Pulitzer Prize winner; Louis-Philippe d’Alambert, Goncourt Prize for Poetry in 2024; René Depestre, Goncourt Prize for Novels in 1982; Dany Laferrière, Renaudot Prize winner and member of the French Academy; Lyonel Trouillot and Frankétienne, globally known for their works; not to forget the current star of Haitian literature, finalist of the 2022 Goncourt Prize with his masterpiece Une somme humaine, referring to Makenzy Orcel. These names stand alongside legendary figures such as Jacques Roumain, Anténor Firmin, Jacques Stéphen Alexis, and Oswald Durant, forming significant marks on world culture through their writings. Today, this literary tradition continues to nourish new talents, but one problem persists: the absence of serious and well-structured Haitian publishing houses in sufficient quantity to support these young authors.

Francophone Youth Parliament: A Key Institution for Bringing Together Francophone Youth

The Francophone Youth Parliament (PFJ) is an entity of the Parliamentary Assembly of the Francophonie (APF), which itself is part of the International Organization of La Francophonie (OIF). Established in 1999 during the Moncton Summit in Canada, this parliament for Francophone youth provides a genuine opportunity to forge connections among young people from the Francophone world. This real platform for debate and advocacy allows young people to have their voices heard and actively participate in shaping the future of La Francophonie. The body meets sequentially, with young people from almost all Francophone backgrounds gathering at each edition to discuss contemporary issues affecting global youth, such as precariousness, a lack of faith in democracy, characterized by a high number of young people abstaining from elections, a lack of civic engagement, the fight against inequalities, climate change, and even the impact of social media on youth. It is important to note that although the decisions made during these meetings are not legally binding, they remain powerful tools to describe the real will and needs of youth in the Francophone space, with the aim of facilitating actions by leaders.

The Republic of the Stateless?

Haïti is making headlines all over the world. And it’s not good news. The exploits of Haitians rarely generate so much interest, but we always tend to point out the excesses, spill ink to stir up thorns in the side, broadcast on loop to relay the chaos that is raging. There is hardly any media to make amends for the resilience of this cornered people. No one to highlight the fierce resistance that serves as fuel for this people hanging in the gorges of death. And what if it was to a certain extent the only way to talk about this country to finally attract attention? It is July 26, 2024. The Olympic Games have just started in France. The 33rd Olympiad of modern times. Without realizing it, according to Forbes Magazine, Haïti ranks among the ten nations with the best costume, proudly pointing to third place. At the same time, miles away from France, on “The Island of Skillfully Orchestrated Chaos,” Haitians do not even realize how much this recognition borders on irony. A paradox whose unpopular evocation is likely to greatly displease. An aerial image shows the city of Paris in all its splendor, illuminated like the gates of paradise, reflecting all the grandeur of France, all the magnificence it has acquired over the centuries, without forgetting the contribution of the blood shed by the horrible machine of colonization. I close my eyes, I go back in time, I see again this boy left to his own devices, lost without even knowing it, doomed to failure without even understanding it. And then there are the others. Boys in the same situation, or worse. Banished from society, they do not know what life has in store for them. They form the elegant class of the marginalized, in their quality of scoundrels, good-for-nothings, and thugs who spoil the splendor of society. This contrast challenges me, and I wonder for a moment if those who live the chaos from the outside grasp the stakes and the reality of the situation. Moreover, it seems to me that even the majority of Haitians living in the territory have no notion of the fundamental and essential aspects of the situation.

Haitian rhythms: Exploring musical and dance traditions

Haiti, a land rich in history and cultural diversity, offers a unique musical treasure through its captivating rhythms. Haitian music, deeply rooted in the fusion of different African, European and Caribbean influences, constitutes a vibrant expression of national identity. One of the distinctive elements of Haitian music is its rhythmic diversity, reflecting the many facets of daily life, from religious celebrations to moments of joy and sorrow. Haitian rhythms, carrying contagious energy, are a reflection of the soul of the Haitian people. One of Haiti’s most iconic musical genres is direct compas, which emerged in the 1950s. This catchy rhythm, coupled with captivating melodies, has captured hearts globally. The direct compass embodies the fusion of different musical styles, including jazz, merengue, and elements of traditional Haitian music. Haitian musical traditions are not limited to contemporary sounds. Vodou, an ancestral spiritual practice, also has a major influence on Haitian music. Vodou rhythms, often associated with religious ceremonies, create a deep connection between spirituality and artistic expression. Furthermore, dance is inseparable from Haitian music. The graceful and energetic movements of traditional dances like rasin, combined with captivating rhythms, transport dancers and spectators to a world where bodily expression becomes a living art form. Exploring the musical and dance traditions of Haïti is like diving into a universe where history, culture and spirituality are harmoniously woven together. These rhythms, passed down from generation to generation, are much more than simple notes; they embody the soul of a people and the richness of its diversity. Celebrating these traditions pays homage to Haiti’s exceptional cultural heritage and its invaluable contribution to the global music scene.

Moïse François: A young Haitian journalist committed to literature and social development

Moïse François is a young Haitian journalist, poet and law student at the State University of Haiti. He was born on November 13, 1999 in Port-au-Prince and is the eldest of a family of three children. He grew up between his hometown and Camp-Perrin, a small town in southern Haiti. Moïse François is a young Haitian with a remarkable academic and professional background, showing a deep passion for literature, journalism, social commitment and justice. He embodies this type of dynamic young person that the thirst of any great human society demands. Moïse claims above all to be a surveyor of the countries of his read books. "Literature, the kind that sets free, is my first home. I frequented Prague under the Soviet occupation of Milan Kundera, thanks to its literature, much better than some corners of Port-au-Prince, my hometown, largely plunged into horror and constant fear," he says. His great literary culture has largely contributed to his open-mindedness, his survival in this country and his impressive creativity.